Wednesday, January 31, 2007
A Quick Thought On Diet
Saturday, January 27, 2007
The Blessing Assumption
For example, some Christians assume that financial success = blessing from God. But this is simply not supported Biblically. What we call a blessing from God, others might call "overworking," "exploitation," or "unfair business practices." Obviously, that kind of behaviors does not stem from a just God. I could get A's in all my classes by cheating but that does not mean that God has blessed me.
We need to be discerning about what in our lives is really from God and what is actually against God. While God has given us the ability to achieve many things, he did not give us free license to use it as we wish. Sometimes we need to be more critical and realize that what we see as good things are not always that good to God. Perhaps the best way to thank God for his blessings is to quit just giving him lip service and take the time to really count HIS blessings.
Saturday, January 13, 2007
Responsibility
A client comes in and says their last therapist was verbally abusive. As a therapist myself do I see myself as connected to all other therapists as a member of that group? Do I therefore apologize to the client because I am "one" with that other therapist? Will the client hold me somewhat responsible (unconsciously) simply because I am a therapist?
I know that sometimes I take too much responsibility for things that occur. Just because I am mean to someone does not mean that I cause their reaction - but I nevertheless can think that way. But is taking responsibility for the actions of other people healthy? Should I apologize for being a man because men have done awful things? Should I apologize for being white because white people have done awful things?
I think the answer is a tentative yes. As a member of a group - whether voluntarily or not - I am connected with the other members of my group. People will therefore see me as being "one of them" and an apology can be useful for accepting that stereotyping people together is just a part of human nature. I need to accept that everybody places other people into groups and makes assumptions about them. We are not isolated from our group identity.
However, I recognize that I am not fully connected with people in my group and am thus autonomous and independent. It is not right for me to distrust all people of one group just because one member has done me wrong. I accept that one person holds the final responsibility. So while I am willing to accept that others will hold me responsible for what members of my groups have done - from other Christians, other psychologists, other men, other whites, other tall people, etc - I hope that I will be judged in the end for my own actions and for how I have shaped the groups I find myself in.
Monday, January 08, 2007
What owns you?
Advertising was originally aimed (in the early 1800's) at making people feel uncivilized, unhygienic, and unsophisticated. As commercialism evolved so did the advertisements. While advertisements at first were meant to convince people that they needed to be clean and proper, they soon were clearly selling the abundant life itself. The quality of one's relationships could even be defined by what you bought: parents were bad if they did not provide everything they could for their children.
As a result we are left with a sense of self that is no longer rooted in tradition, family, character, or religion. We have entrusted our lives into the care of companies concerned about profit earnings.
I hate depressing messages. They don't motivate me to change or even be self-reflective. And so far that's what this has been. But it doesn't have to end that way. You can reappraise your life right now and better determine what is important to you. We all live in a world where we simply cannot avoid some materialism. And that certainly has not been all bad - with improved standards of living and financial security. But while we live in such a world we do not necessarily have to embrace it with open arms.
What areas in your life might you consider living without luxury?
What are the costs of doing so?
What are the benefits?
Final thought:
"The things you own, end up owning you."
Brad Pitt in Fight Club
Most of this has been provoked by my reading of Philip Cushman's Constructing the Self, Constructing America: A Cultural History of Psychotherapy. You have him to blame (or thank) for the guilt trip.
Friday, January 05, 2007
Boasting
Thursday, January 04, 2007
Disabled
Being disabled I have to remind myself of two key ideas. The first is that I must rely on others to meet many of my needs. Regarding my nearsightedness, I have to rely on an optometrist to give me the right prescription, the eye glass store to have fashionable glasses, and insurance to help pay for it. We all have to accept that we need others to some degree in order to survive. More generally I need to remind myself that I need to search out counsel, support, knowledge, and direction in the ways that I choose to live my life.
The second related idea is that others are relying on me. Given that I have physical, mental, emotional, and spiritual handicaps, I need to accept that others will have them too and will be looking to me to bear with their disabilities and help in any way I can. Understanding that when others are a burden it is not their choice reminds me to be patient, generous, and kind. So let's remember to be united with one another and love one another.
Thursday, December 21, 2006
The Creative Self
God is creative. He created the heavens and the earth. He created every human being uniquely.
To be created in the image of God means to be creative. Acting upon that creativity is a challenging and often scary process but we must not be unwilling to take risks. The following article from Psychology Today illustrates how we might develop our creative self.
The Creative Self
By Hara Estroff Marano
A flash of insight. A solution to a longstanding problem. We all long to express ourselves creatively, admire the capacity to be original. It seems to be part of human nature.
Immersion in creative enterprises is hugely rewarding by itself. And often during that immersion we experience that special state called "flow," a feeling outside of time, of effortlessness that is so extraordinarily satisfying it bestows on us the sense that life is worth living.
How do we develop and nurture creativity within? Many people see creativity as a capacity far beyond them. But it is not.
In a lovely little book entitled Creative Authenticity, artist Ian Roberts argues that at some point you just have to jump in, fears and all. There is something courageous about it.
It's finding what you want to say that's the really tricky part. Usually, it lies just beneath the grip of the conscious mind. It springs from hard-won personal inner synthesis, experience and insight acquired firsthand. In our mind it is not logically structured, but it may take logic to get it expressed.
"Ultimately, it doesn't matter to the world whether you paint or dance or write," says Roberts. "The world will probably get by without the product of your efforts. But that is not the point. The point is what the inner process of following your creative impulses will do to you. It is clearly about process. Love the work, love the process. Our fascination will pull our attention forward. That, also, will fascinate the viewer."
Roberts enunciates a number of principles essential for creative authenticity.
- Searching for beauty. Beauty is something that seizes your attention, stops you in your tracks, silences you. It can be the way light filters through the trees in your backyard or the magnificence of a fifteenth century Italian painting. The subject is irrelevant; it is only a vehicle for your attention, to engage the intensity of your feelings. That intensity is what viewers ultimately respond to.
- Communication. Creativity fundamentally involves expressive power; it is the catching of the "gleams of light" that flash across our mind and forming that vision into something.
- Your home turf. It could be a garden. Or a studio. But you need a creative home base that always stays open for your arrival and bestows on you a readiness to begin your work.
- The Van Gogh syndrome. Don't buy into the myth that creativity is the province of tortured geniuses.
- Your craft, your voice. Practice, practice, practice your craft. It gives you fluency in the creative process and in technique. It's technique that gives life to your creative ideas. Learning your craft opens the channel for your voice to flow.
- Showing up. "Nothing determines your creative life more than doing it," says Roberts.
- The dance of avoidance. Starting is always a psychologically messy process, because there are no rules surrounding what you want to do. Setting up a dedicated space for the practice of your craft helps you shift gears directly into your creative process.
- Full-time or part-time. You can't expect to fly consistently at a high level of inspiration.
- Follow something along. If you are going to say something authentic, you need to stick with an idea for a while, an idea that has personal resonance.
- Wagon train and scout. Creativity involves the interplay between where you are and where you see yourself going to keep your expression growing. Always be on the lookout for new paths, and observe how others solve the problems you face.
- Working method. Creativity is in the process, not in the finished results.
- Limits yield intensity. Unrestrained freedom is a myth, and it's not productive.
- Being ready to show. Don't spend your time marketing your creations. If you spend it creating, you are investing your work with the authenticity that will draw others to your efforts..
- You are more than creative enough. The question is not whether you are creative enough but whether you will free yourself to express it.
- Finding poetry in the everyday. Develop the power to see the ordinary as poetic.
- Holding the big picture. Always keep a sense of the whole. That commits you to making the moves that will ultimately represent what you see.